Meet the Core Team
Nic Weinfeld
Nic Weinfeld founded Five to Sixty in 2015 and has served as CEO and Executive Producer since.
He embarked on his filmmaking journey at the age of 12, crafting videos that ignited his passion for the art form. His dedication led him to attend Interlochen Arts Academy, where he spent the majority of high school studying and creating films. This preparation earned him a coveted spot in USC's Film Production program. As a Sophomore, he founded Five to Sixty, leveraging his talents to make a mark in the advertising industry. In just eight years, Nic's exceptional leadership propelled Five to Sixty to a staggering 869% growth, securing the company's place on the renowned Inc. 5000 list and earning him recognition on the prestigious Forbes 30 under 30 List in Marketing and Advertising.
Jack Rosman
Jack is a native of Richmond, Virginia. He went to college at Depaul University in Chicago, before transferring to USC’s School of Cinematic Arts.
After graduating, Jack optioned a pilot called Dear Killer with Lionsgate. He fell into producing, starting with indie features before finding a home in branded content. He enjoyed working with brands and agencies to tell their stories through the skills he had learned on set. In 2019, Jack joined 5 to 60 as the second full time employee, and has helped grow it from a small operation to a team of 6, with global reach. He loves building teams with a united creative goal. He also loves live music, theater, and hiking in the woods.
Juan Sebastian Baron
Sebas is a Colombian-American Executive Producer and graduate of USC’s School of Cinematic Arts.
His industry background is built on creating across all platforms and mediums—with a strong emphasis on digital technology and innovative storytelling. He brings over a decade of set experience to his role as an EP including contributions as a cinematographer on numerous commercials, music videos, and feature films including Sony’s worldwide release “Searching”. He loves travel, food, and sailing.
TJ Tamayo
A native Angeleno, TJ was raised in a traditional Filipino household and grew up watching wrestling and Stallone movies with her father and sister.
Her love for film and television developed as a young child, as she used to re-enact scenes from The Mighty Ducks movies and Back to the Future. She went on to earn her B.A. in Mass Communications and M.F.A in Film at Art Center College of Design in Pasadena, CA. She has been working in film and television for over a decade and strives to bring forth innovative and dynamic media to the screen.
Mary Katherine Duhon
Mary Katherine Duhon is a New Orleans native who grew up in the picturesque bayous of Louisiana.
With a passion for storytelling, she has spent the past several years honing her craft in the film, television and advertising industry. Now, Mary Katherine specializes in sales and marketing for 5 to 60. When she's not at work, she advocates for sustainable fashion and cares deeply about animal welfare.
Sam Sandweiss
Sam is an award-winning Producer whose work spans feature film, commercial, and documentary.
He's produced three feature films, and also worked in-house at Snapchat, where he produced marketing campaigns for Snap Originals, user acquisition, and new product announcements. On the commercial side, Sam has produced and edited for Breakwater Studios and ATTN—for clients including NBC Universal, Samsung, A&E, Subaru, Unity 3D, Planned Parenthood, and REI. He runs Clockwork Post Production.
Recognitions
FAQ
We believe in finding the right teller for every story. That’s why we’ve spent years vetting and cultivating close relationships with our diverse group of creative talent. We build bespoke teams for every project.
Our creative talent is the best at what they do. We build our teams from the top down with trusted collaborators. From time lapse engineers to mini-corn dog food stylists, we have the expert for whatever your need is.
Nope! We also produce photo campaigns, branded series, and activations. Additionally, we can provide concepting and other creative services.
Over the course of 8 years we’ve shot in 24 countries and 35 states. So, we can shoot just about anywhere, including outer space.
We sure can. All of our post production is handled by our sister company, Clockwork.
Typically, our projects range from $100K to $1M, though we’re open to projects outside of this range. We have low budget options at the ready. Bonus points if there are puppies involved.
We have offices in New Orleans, New York, Bogota and Los Angeles. So luckily we don’t have to choose.